By Demand: (MET) On Demand!

You asked for it and now it is here!


As of today, CIM students, faculty, and staff have access to an amazing new streaming resource: Met Opera on Demand!

This new access comes to us through a generous gift by Dr. Tom Rose of Cleveland. He has been a supporter of CIM for many years and grew up with a love of opera after he started ushering for Met performances in Cleveland while he was in high school. Because of his love of opera (and all of you lovely CIM students), Dr. Rose chose to make this awesome resource available to us! We hope you will join us in extending a hearty thanks to Dr. Rose—we simply cannot say it enough!

For those of you who haven’t seen or experienced this resource yet, you are in for a treat. Met Opera on Demand is an online video streaming service that provides users “instant access to more than 550 full-length Met performances…” Not only does this mean you can watch opera nonstop for the rest of the semester (and beyond), but Met Opera also features classic telecasts from the70s, 80s, and 90s and audio recordings of historic radio broadcasts dating back all the way to 1935. The site is constantly expanding too, as new HD broadcasts are added every month.  This isn’t just a big resource to have… this is a HUGE resource to have!

As someone who spends a lot of time digging around in databases and such, let me give you a little walkthrough of what you’re going to find when you login to Met Opera on Demand: The top of the page is going to show you the featured opera at that moment as well as a few other items from the archive. You can search, however, by content type (video, audio, etc.), opera title, composer name, and even performer name. This makes it really easy to navigate through their huge collection—which makes the librarian side of me incredibly happy. What’s better than being able to binge-watch all of Renee Fleming’s performances with one simple search? Not only are we getting all of the standard kind of content with this, Met Opera on Demand also gives you special events like their Gala performances, season previews, etc. Just poking around through the site can be dizzying when you think of all the amazing operatic treasures hidden throughout.

Once you finally settle on which opera you’re going to start with—I chose Bartok’sBluebeard’s Castle (I can’t get enough of German soprano, Nadja Michael, ever), which was paired with a performance of Tchaikovsky’s Iolanta featuring Anna Netrebko—the display takes you right into a dark, cozy virtual theater to start the show. The makers of Met Opera on Demand clearly thought this setup through when designing how it would work. Rather than forcing your computer to load huge HD files for a complete opera, the site has broken the performances into many smaller chapters (usually by aria/scene) which, in addition to creating a highly navigable interface, helps files to load smoothly and easily for an even better viewing experience. You will get, of course, all of the content from performances, but you’ll also get a number of behind the scenes sneak peeks with great performers like Joyce DiDonato acting as hosts.

Met Opera on Demand has been around for a few years now and has made a number of improvements, particularly with institutional subscriptions like the one CIM is now enjoying. When you buy into resources like this, you purchase a number of ‘seats’, which are priced according to the number of potential users your subscription has. Your number of seats dictates how many simultaneous users can be logged into your account at any one time. This means that it is possible to sometimes be temporarily locked out of Met Opera until one of our seats opens up (please let us know if this happens). Do not fear, however! You should have access later, of course, and to help everyone else out, make sure you log out once you’re finished watching! As with all of our streaming databases, you will be able to VPN into the Case network and use this resource right from your home, favorite coffee shop, or wherever the opera spirit finds you.

Because this resource is new to us, we want your help gauging how things are going! If you love the resource, let us know! Does it need some improvements? Let us know! Locked out because of no open seats? Definitely let us know. Met Opera on Demand also takes suggestions and questions directly at Your feedback is really important to us, so don’t hesitate to send and email or drop in to chat.

With all of that said, go check it out! Thanks again to Dr. Tom Rose for making this possible! Happy opera-ing to all!

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(Un)Buried Treasures


I want to tell you today about an awesome project that we have going on in the library! But first, let’s talk about why music school (and CIM in particular) is awesome…

I think we can all agree that CIM is a pretty great place to be studying, working, and generally going about our lives. We have brilliant faculty, dedicated staff, and a superb student body that make this such an inspiring place to be. This has been the case throughout the school’s almost century-long history as well. As a new member of the CIM community, I can safely say I feel privileged to be joining the ranks.

One of the nifty things you get to see when you are working in a library is the depth of the collections–there are some pretty amazing books, scores, etc. that live in our collection. But what is particularly interesting to see are the unique recordings that each school of music has.

I’m not talking about who has the coolest box sets of CDs or most obscure LP collection; I’m referring to the recordings that are made locally of the people that make up each school’s community. There are gems hiding in these library collections—performances that exist nowhere else that can be rarely accessed by folks outside of these schools. That being said, the CIM recording collection that we have here at Robinson Music Library is AMAZING!

While I was never a student here at CIM, I still know the names of the many stunning performers that have taught at or visited the halls of CIM over the years and would have loved to hear their live performances. From famed oboist John Mack to piano virtuoso Sergei Babayan, our collection of local CDs has one-of-a-kind performances by these famous artists that can only be accessed by you, our CIM students. That’s right—you have privileged access to recordings by musical masters that none of your peers across the country and internationally can ever hear. When you think about it, that’s crazy! (But also awesome!)

So if you didn’t know that these things existed before, now you know! All the CIM performances for major ensembles and recitals are down in our Media Center. Because these recordings are one-of-a-kind, we can’t check them out (once they’re gone, they’re gone forever), but you can definitely hear them in that comfy space.

As for actually locating them, this is where the project comes in!

Our intrepid Media Center Assistant, Jon Borgetti, has been tirelessly entering all of the local CIM performances into a new database. Whereas in the past, you had to search through a card catalog or a paper log to find performances, all of these CIM performances are now accessible with a simple Ctrl + F search!

We’ve got the first draft of this database (a .pdf file title “CIM Performance Log”) up and ready to go on all of the computers in the Media Center right now and we want you to come give it a try! We’ll be adding even more features to it in the next few months such as listings of all the works on each concert and featured performers. Let us know if there’s anything that you think of that could help enhance this tool.

Your library staff is always on the hunt for new ways to get you what you need, and maybe things you didn’t even know you wanted. While these amazing recordings have always been here, this new tool is a great opportunity to easily access all of these gems that we have right here in RML!

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A Case for Discovery

New to Robinson Music Library starting next week will be a series of events titled the Robinson Music Library (RML) Discovery Series. We will be screening/playing works of music that fall outside of what we consider the standard musical repertoire. After each screening, we will be holding discussions that I (Patrick) will be leading, which will give a chance for students, faculty, and staff in attendance to really talk about music. But when there is already an overwhelming amount of excellent music that we already have to learn in the “standard” repertoire, why should we spare valuable time looking at these other works?

One of the beautiful aspects of our formal music education is the thorough exposure we get to the standard repertoire for our respective instruments, voice types, etc. We learn the myriad sonatas, songs, and cycles for which we are the new ambassadors in our musical generation. But with so many works demanding our attention, it is easy to forget that there is a great deal of music out there that is not widely performed or widely known at all (save for a few scholars or performers breathing life into these pieces every few years). The same can often be said of the music being composed today. Our modern composers are forced to fight constantly against the titanic memories of great composers past at every turn just to get a nod. And unfortunately, performances of their new works often do not receive the time, nor the preparation, given to pieces that are imbued with the weight of history and repetitious recognition. This isn’t particularly fair to them, or us, in the long run.

It is important, in the process of developing our musical identities, to take in as much music as possible. Similar to the way we eat a variety of foods to ensure we get a proper balance of nutrients in our diet, it is likewise important to vary our musical diets as well. Try new things, sample new composers, listen to repertoire for other instruments… Even explore styles you may think you dislike or have no interest in at all. Be radical in your exploration. You never know, you could very easily find your new favorite composer or piece when you step outside of your listening/viewing comfort zone. Just as it is important to hear all of these varied works, styles, instrumentations, etc. it is also important to actively digest the new music you are consuming.

It’s easy to sit and listen (if you carve out the time to do so), but the next step is to engage with what you’re hearing/seeing. What better way to do that than sit with other musicians and talk critically about music?

We don’t often get a chance to sit with our peers and really talk about music outside of class. I’m sure we all chat as groups after orchestra concerts or other performances, but usually this kind of cursory discussion is commentary on who made what mistake or how shockingly fast/slow the conductor took the final movement. We don’t necessarily take the time to dig in though, learn the music and its context, and really ponder things. That’s where I come in!

We’ll be piloting these sessions a few times throughout the semester (all on Tuesday evenings from 6-9 p.m.). The first one up is Tuesday, September 22nd at 6 p.m. To kick things off, we’re going to take a look at Carlisle Floyd’s Willie Stark, an opera that premiered in 1981 and received a revival in 2008 thanks to the opera department at LSU. If you’re not familiar with Mr. Floyd’s work, give a listen to soprano Renée Fleming singing an aria from arguably his most popular opera, Susannah: We’ll be down in the Media Center group rooms; drop in to see us!

Willie Stark

So, let’s sit and listen to awesome/unusual/controversial music. Let’s discuss it and see what we can come up with—there are no right or wrong answers, just our thoughts! Let’s find out what new things we like, what we can’t stand to listen to again, what we disagree about… Let’s discover some new music together!

Check out our Facebook event page for more details and materials to check out in advance: If you haven’t liked our page yet, do so to get all the details about RML!

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RML: The Newest LINK in the Chain


Already this year, you may have noticed many of Robinson Music Library’s promotions have been geared toward CIM’s new membership with OhioLINK. You may have also noticed that several of us are REALLY excited about it. And finally, in regard to our excitement, you may have wondered to yourself: “Why should I care?”

LET ME TELL YOU! (Okay, I promise I’ll let up on the all-caps. But the excitement here is real, believe me.)

While RML will always strive to bring you the best resources to support your studies, there is a whole wide world of resources out there that we simply can’t have on our shelves (due to space, cost, etc.). Even Case Western libraries, while expansive in their coverage, do not have every material for every person’s interest area. This is where OhioLINK comes in.

OhioLINK unites the many libraries across the state, both academic and public, and makes each individual collection available to borrowers from any other participating library. Not only that, but they allow you to request materials online and have them delivered to any library of your choosing in the network. Consortia are wonderful things, but it’s particularly amazing when you realize that instead of having access to thousands of books, you now have access to millions of them!

Okay, so that’s great, but let’s talk about why that is really great for you as musicians. Consider that now, instead of just having all the amazing scores and recordings available to you at RML and Kulas, you now have access to specialized music collections across the state like those at Oberlin, CCM, OU, and Ohio State, just to name a few. In turn, these users now have access to borrow the amazing materials that we have here. Don’t worry, however, a core collection of our items has been designated just for use for students and faculty of the Joint Music Program here at CIM/Case (marked with the green JMP stickers you’ll see around the stacks). We’ve gone from hundreds of users to millions of users, but our mission is always going to focus on serving you, our CIM students, faculty, and staff!

From personal experience, I can say that OhioLINK really has the potential to change the way you use the library. We’ve always had Interlibrary Loan (ILL), but being able to get materials from across the state within 4-5 business days puts an incredible amount of resources at your fingertips. When I was a student at Youngstown State, I used this service every week (at least). The things you can find—books, scores, CDs, DVDs, dissertations, etc.—are absolutely stunning. And you aren’t limited just to academic items; OhioLINK is perfect for your personal reading/viewing/listening as well. (Everyone needs to kick back with a good movie or fun novel every now and again!)

If you haven’t tried the service yet, give it a shot! You’ll need to stop by the RML Circulation desk to get your library account number so you can place requests, but feel free to pick up one of our new bookmarks that give you a step-by-step list to requesting items. Or you can always drop by our Reference Desk for a quick tutorial!

For more information on OhioLINK, check out their website:

Or search the OhioLINK catalog:

But for the most specific CIM info, check out our LibGuide!

Until next time, enjoy this new, awesome resource!


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Welcome Back and Introductions

First and foremost, welcome back to CIM for this new academic year! While students were away this summer, Robinson Music Library has undergone several changes that you may notice when you stop in to visit us.

Before we go any further, I would like to introduce one of these changes: Me!


My name is Patrick Fulton and I am one of the Research Services Librarians here to serve you in the library. I came to CIM in July having worked the past few years as the Circulation/Reserves Manager for Florida State University’s Allen Music Library. I’m very happy to be joining the Robinson Music Library team and will be authoring the content for the Blog as well as our other social media platforms from here on out. (Shameless plugs to follow, be advised.) The summer brought a bit of restructuring to the library as well.

While we used to have one librarian specializing in Reference services and one focused on Media Center services, Denise Green and I will now be covering both areas under the umbrella of Research Services! We are here to serve you with whatever your information needs are—we have an “Ask Us Anything” policy, so don’t hesitate to bring us your questions, library-related or otherwise. We’ll be working both desks along with our student teams and look forward to meeting you. Additionally, we welcome Jon Borgetti to our part-time staff in the Media Center this year!

The next big change you might not see on our shelves or at our desks specifically, but the impact is HUGE: Robinson Music Library has now joined OhioLINK! I’ll be writing a more thorough post on this resource later this week, but this membership now makes us part of a consortium of libraries across the state. This partnership makes it possible for you as conservatory students, faculty, and staff to borrow materials from all over Ohio, giving access to the many specialized music collections across the state. If you’re particularly curious (and can’t wait for another Blog post!), our director Jean Toombs made a very comprehensive LibGuide to get you started:

There are, of course, always new materials and resources for you, but one thing remains the same: Robinson Music Library is here and ready to help you get the most out of your time at CIM!

Shameless Plug #1:




(And more, but we’ll start here for now!)

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